Mothers Pride is a durational performance. It is a space which, like the body itself, is autonomous. Evolving over a period of nine hours it becomes a site of meditation through action. It considers the maternal female within public space. As a mother I feel much conflict between the label of mother- what society perceives that to be, and how I feel as a mother, artist, feminist, etc. The notion of what qualities society thinks makes a ‘good’ mother is problematic and I wonder how the role is performed on a day to day basis. I am asking myself- where does my performance of the label of mother end and my true embodiment of being a mother begin? Using Mothers Pride bread and milk, materials evocative of comfort and a nostalgic memory of happy nuclear families that never really existed, I will reclaim space. I will reclaim my right to define my own borders, my own edges, my own limits and ultimately I will move closer to knowing what these are/where they lie.
Natalie Ramus is a multi disciplinary artist based in the Welsh borders. Using her body as material to explore public/private dichotomies produced by societal conventions of the appropriate and inappropriate, Natalie seeks to dismantle and illuminate, challenge and provoke that which she faces as a female with a performative, visceral, abject body. Natalie’s practice was seeded in a fine art background and as her practice evolved it has become increasingly action based; concerned with the notion of installaction. Natalie has performed in London, Cardiff and Manchester and has exhibited works throughout the UK, most recently at MAC Birmingham. She graduated from Master of Fine Art at Cardiff School of Art and Design with distinction in 2016.
I would like to give thanks to Mothers Pride, Glasgow for supplying the bread for my performance.